tom ford for yves saint laurent | tom ford gucci director tom ford for yves saint laurent Working almost exclusively in black, Tom Ford took confident steps toward defining his vision for Yves Saint Laurent Rive Gauche. A couple of pink-and-amethyst short dresses trimmed in. WXGA (1280 x 800), 3000 Lumens 1.2x Optical Zoom Lens DVI-I Input with HDCP Built-in Network Connection
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Tom Ford’s Yves Saint Laurent Is a Forgotten Footnote to His Gucci Years. From a stunning . Tom Ford left the stage with a vividly memorable performance—polished, . Tom Ford’s Yves Saint Laurent Is a Forgotten Footnote to His Gucci Years. From a stunning beef with the designer Yves Saint Laurent himself to a knockout final runway show in 2004.. Tom Ford left the stage with a vividly memorable performance—polished, mature, and perfectly pitched. And that was just the clothes. As for the man, and the way he acquitted himself at a.
Working almost exclusively in black, Tom Ford took confident steps toward defining his vision for Yves Saint Laurent Rive Gauche. A couple of pink-and-amethyst short dresses trimmed in. A decade of near total creative control at Gucci and later Yves Saint Laurent saw Tom Ford at the top of his design game — critics swooned, celebrities wore and people bought, a rare. Tom Ford can take any one of dozens of nuggets of inspiration from the rich mine of Yves Saint Laurent's heritage—with a couple of caveats.
Thomas Carlyle Ford (born August 27, 1961) is an American fashion designer and filmmaker. He launched his eponymous brand in 2005, having previously been the creative director at Gucci and Yves Saint Laurent. Ford wrote and directed the films A .Tom Ford for Yves Saint Laurent. Save Creator. No one understands sex appeal quite like Tom Ford. When Gucci acquired Yves Saint Laurent in 1999, the Texas-born fashion designer had been Gucci’s creative director for several years and was also named creative director for YSL. Aspiring director Tom Ford scripted the last call brilliantly, ending on a prolonged high note that spanned two countries and rocked fashion.
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Tom Ford’s recent designs suggest an atavistic Hellenism that resembles the costumes by Dionyssis Fotopoulos for the Michael Cacoyannis film Iphigenia. The gown shown here is seemingly shredded and pulled asunder, like the rent vestige of a garment.During Ford's tenure with Gucci, the company acquired Yves Saint Laurent, and Ford created provocative, controversial and highly successful ad campagins for YSL fragrances Opium and M7. These ads were an early indicator of Ford's future direction. Tom Ford’s Yves Saint Laurent Is a Forgotten Footnote to His Gucci Years. From a stunning beef with the designer Yves Saint Laurent himself to a knockout final runway show in 2004..
Tom Ford left the stage with a vividly memorable performance—polished, mature, and perfectly pitched. And that was just the clothes. As for the man, and the way he acquitted himself at a. Working almost exclusively in black, Tom Ford took confident steps toward defining his vision for Yves Saint Laurent Rive Gauche. A couple of pink-and-amethyst short dresses trimmed in.
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A decade of near total creative control at Gucci and later Yves Saint Laurent saw Tom Ford at the top of his design game — critics swooned, celebrities wore and people bought, a rare. Tom Ford can take any one of dozens of nuggets of inspiration from the rich mine of Yves Saint Laurent's heritage—with a couple of caveats.Thomas Carlyle Ford (born August 27, 1961) is an American fashion designer and filmmaker. He launched his eponymous brand in 2005, having previously been the creative director at Gucci and Yves Saint Laurent. Ford wrote and directed the films A .Tom Ford for Yves Saint Laurent. Save Creator. No one understands sex appeal quite like Tom Ford. When Gucci acquired Yves Saint Laurent in 1999, the Texas-born fashion designer had been Gucci’s creative director for several years and was also named creative director for YSL.
Aspiring director Tom Ford scripted the last call brilliantly, ending on a prolonged high note that spanned two countries and rocked fashion.Tom Ford’s recent designs suggest an atavistic Hellenism that resembles the costumes by Dionyssis Fotopoulos for the Michael Cacoyannis film Iphigenia. The gown shown here is seemingly shredded and pulled asunder, like the rent vestige of a garment.
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