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For his Spring-Summer 1988 collection, Yves Saint Laurent paid tribute to Vincent Van Gogh .Pour sa collection printemps-été 1988, Yves Saint Laurent rend un vibrant hommage à Van . Yves Saint Laurent: When Fashion Meets Art. 0:00. Standing in front of Vincent . Yves Saint Laurent spent his entire career paying tribute to artists: Mondrian, .
For his Spring-Summer 1988 collection, Yves Saint Laurent paid tribute to Vincent Van Gogh by recreating his paintings Irises and Sunflowers on jackets embroidered by the Maison Lesage. The couturier created so many nuances and details in the flowers that each jacket required over six hundred hours of work, making them some of the most .
Pour sa collection printemps-été 1988, Yves Saint Laurent rend un vibrant hommage à Van Gogh en récréant Les Iris et Les Tournesols sur des vestes entièrement brodées par la Maison Lesage. Yves Saint Laurent: When Fashion Meets Art. 0:00. Standing in front of Vincent Van Gogh’s iconic painting Irises (1890) at The Met, I am captivated by the calming qualities of the thick brushstrokes, the flowing lines, and the coolness of the faded violet hues. Yves Saint Laurent spent his entire career paying tribute to artists: Mondrian, Matisse, Picasso, Poliakoff, Warhol, Wesselman, Van Gogh, Vasarely—and there are several others. Now, six. According to Christie’s specialist Camille de Foresta, this magnificent, intricately embroidered jacket, conceived by Yves Saint Laurent in 1988 and inspired by Van Gogh’s ‘Sunflowers’ paintings, is among the most expensive haute couture garments ever made.
Van Gogh jacket and Picasso dress: six museums come together for Saint Laurent exhibition | The National. A 1988 embroidered jacket by Saint Laurent inspired by Van Gogh's 'Sunflowers'. The garment took 600 hours and 350,000 sequins to . Saint Laurent was good at capturing a painter’s intentions with the couturier’s language of fabric, shirring, and draping. On his Domino robe of 1984, Saint Laurent achieved some of the gymnastic thrust and twist of Matisse’s Dance inachevée (1931) with pleats and undulating black bands. English: Evening jacket, "Homage to Vincent van Gogh" Yves Saint Laurent, Spring-Summer 1988 Sequins, beads, bugles and ribbon embroidery by the Maison Lesage. Musée Yves Saint Laurent, ParisYves Saint Laurent debated the iconic “Les Tournesols” jacket in his Spring-Summer 1988 collection, where it was modeled by Naomi Campbell. In this exquisite collection Saint Laurent paid tribute through fashion to painters he admired, .
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Seattle Times arts critic. This glorious jacket, a tribute to the artist Vincent van Gogh, was designed by Yves Saint Laurent in 1988. It’s now on display at the Musée Yves Saint.For his Spring-Summer 1988 collection, Yves Saint Laurent paid tribute to Vincent Van Gogh by recreating his paintings Irises and Sunflowers on jackets embroidered by the Maison Lesage. The couturier created so many nuances and details in the flowers that each jacket required over six hundred hours of work, making them some of the most .Pour sa collection printemps-été 1988, Yves Saint Laurent rend un vibrant hommage à Van Gogh en récréant Les Iris et Les Tournesols sur des vestes entièrement brodées par la Maison Lesage.
Yves Saint Laurent: When Fashion Meets Art. 0:00. Standing in front of Vincent Van Gogh’s iconic painting Irises (1890) at The Met, I am captivated by the calming qualities of the thick brushstrokes, the flowing lines, and the coolness of the faded violet hues. Yves Saint Laurent spent his entire career paying tribute to artists: Mondrian, Matisse, Picasso, Poliakoff, Warhol, Wesselman, Van Gogh, Vasarely—and there are several others. Now, six. According to Christie’s specialist Camille de Foresta, this magnificent, intricately embroidered jacket, conceived by Yves Saint Laurent in 1988 and inspired by Van Gogh’s ‘Sunflowers’ paintings, is among the most expensive haute couture garments ever made.
Van Gogh jacket and Picasso dress: six museums come together for Saint Laurent exhibition | The National. A 1988 embroidered jacket by Saint Laurent inspired by Van Gogh's 'Sunflowers'. The garment took 600 hours and 350,000 sequins to .
Saint Laurent was good at capturing a painter’s intentions with the couturier’s language of fabric, shirring, and draping. On his Domino robe of 1984, Saint Laurent achieved some of the gymnastic thrust and twist of Matisse’s Dance inachevée (1931) with pleats and undulating black bands. English: Evening jacket, "Homage to Vincent van Gogh" Yves Saint Laurent, Spring-Summer 1988 Sequins, beads, bugles and ribbon embroidery by the Maison Lesage. Musée Yves Saint Laurent, ParisYves Saint Laurent debated the iconic “Les Tournesols” jacket in his Spring-Summer 1988 collection, where it was modeled by Naomi Campbell. In this exquisite collection Saint Laurent paid tribute through fashion to painters he admired, .
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